lo-fi headbang Opções
lo-fi headbang Opções
Blog Article
When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion.
Many beat producers like to come up with chord progressions or find a sample first. But if you’re starting out making beats, it’s best to have a solid foundation to build on. Hence we’re beginning with the drum beat.
Blocky, offscreen, puts a bottle of soda next to her while she sleeps. Blocky then grabs a handful of Mentos and puts them in the bottle. Golf Ball is awoken, and looks at the bottle. The bottle of soda then fizzes and sprays soda all over her, much to her disgust. The camera again cuts to static.
There are countless genres within Lo-fi music. The musical style originated in Hip Hop during the 90s when producers would combine drum and bass samples from Funk with Jazz melodies and harmonies.
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If you’re brand new to making beats and music production, we suggest you start by reading that blog post before you dive into the world of Lo-fi, since it requires some fundamental knowledge of beat-making.
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These sounds appeared automatically in the 1950s and ’60s, due to the low quality of recording equipment that was available at Study Lo-Fi the time. But today, this type of sound is intentionally used to create a new genre of music.
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The top melody could come in at the chorus to make the beat more interesting and captivating to the listener. It should also blend seamlessly with your chords and/or samples. Keep it simple and expressive to maintain the lo-fi aesthetic throughout.